Vampyr
DFI Cinema
/ Feature Narrative / Germany, France / 1932
In German / Arabic, English subtitles
N/A
Rated: Parental guidance is advised for viewers under the age of 13. Individuals under the age of 13 are not admitted into cinemas unless accompanied by an individual aged 18 or older.
- Come back soon to see screening dates
Synopsis
First made famous on the big screen in F.W. Murnau’s ‘Nosferatu: A Symphony of Horror’ – which was presented by the Institute with live accompaniment by the Qatar Philharmonic Orchestra in our A Symphony of Films series in 2016 – the legend of the bloodthirsty tormented soul gets a different treatment in another landmark film: Carl Dreyer’s ‘Vampyr’.
From ‘Nosferatu the Vampyre’ (Werner Herzog’s update of Murnau’s silent classic), the staggering number of films featuring Count Dracula, and many other works, we are well aware of the various elements of the vampire tale – the dead who can find no rest, the need for human blood, the evil beings’ manipulative nature and the ways they can be killed.
Rather than focusing on the vampire, Dreyer’s film examines the malevolent creature’s victims, positing vampirism as a sort of virus that infects members of the community who then turn against those nearest and dearest to them. With that, souls are delivered to the malicious forces of evil. Dreyer’s first sound film – it comes immediately after his magnificent ‘The Passion of Joan of Arc’ – ‘Vampyr’ is a tour-de-force of dramatic moody lighting, chiaroscuro and a softened focus that gives the entire work a sense of eerie, dreamy non-reality.